February 23, 2012

Circles in the Sand: Aboriginal Art from Australia’s Central Desert

April 27 through September 9, 2012

United-Legard Galleries

Opening Reception: Thursday, April 26
Public 6-8 pm

 
 
 
 
 
 
 
 

 

 

 

 

 

cover image: William Sandy, Bush Tucker Dreaming, 1988, acrylic on canvas

(c) 2012 Aboriginal Artists Agency, Sydney

About the Exhibition

8Circles in the Sand: Aboriginal Art from Australia’s Central Desert in the Kluge-Ruhe Collection includes work from three desert communities – Papunya, Yuendumu and Balgo – each with their own distinct history and style of painting. In putting together this exhibition, Kluge-Ruhe focused on the art centers associated with these communities, which not only market art on behalf of the artists, but also serve community interests and empower Aboriginal people to achieve their own goals.

Related Events
Film Showing
Ten Canoes
Monday and Tuesday, April 23 and 24
Abingdon Cinemall
$7.50 for Community Admission
This Australian Aboriginal film is an impressive achievement of ethnographic cinema, a collaboration between a Western filmmaker Rolf de Heer and the native people of Ramingining.  Aboriginal actor David Gulpulil narrates the story of a young man on a hunting trip with tribal elders who is told an ancestral tale about a youth who covets one of his brother’s three wives. The universal aspects of myth converge in this humorous drama which echoes creation stories from other cultures around the world.  (90 minutes)

 

Hazel Larsen Archer: Black Mountain College Photographer

November 18, 2011 through April 8, 2012

United-Legard Galleries

Opening Reception: Thursday, November 17
Public 6-8 pm

 

 

 

 

 

 

 

 

 

 

 

 

 

Image: Hazel Larson Archer, R Buckminster Fuller, Summer 1948, vintage gelatin silver print, courtesy of the Estate of Hazel Larsen Archer

About the Exhibition

When Hazel Larsen arrived at Black Mountain College for the 1944 Summer Institute, the college was host to gifted artists in many disciplines. Under the influence of her mentor Josef Albers, the young photographer developed a visual aesthetic power and sensitivity. She stayed at the college for nine years, first as a student and then as a faculty member. Full of insight and beauty, Hazel Larsen Archer’s Black Mountain College photographs provide an invaluable record of time, place and a group of people that changed our culture.